• Another great traditional yiḏaki from a busy maker from Dhalinybuy outstation, about 2 hours drive from Nhulunbuy. The backpressure is medium to high, the instrument is responsive, the toot is easy to hit. The sound is a little bit confined and a ‘dirty’ feel that I like very much. The bright and stunning painting is made by using natural colours, the design is one of the most used Daṯiwuy clan pattern painted by Ŋoŋu.

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  • Another great work from Ŋoŋu with balanced sound and backpressure, medium volume and good quality craftsmanship. I recommend this instrument for those, who are following the traditional playing techniques of the Northeast Arnhem Land region.

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  • A great a versatile stick from one of the most famous makers of Northeast Arnhem Land. Since Mr B. Wunuŋmurra  passed away recently, this is one of the last opportunities to purchase an instrument made by him. After the instrument and its player warmed up, its sound is full of life, rich in low and high overtones; easy to play, responsive to every movements of the lips and tongue, the toot is easy to hit, suitable for fast playing. Beautiful shape and painting, I recommend this yiḏaki for traditional players and/or collectors.

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  • A great Dhaḻwaŋu yiḏaki from one of the most productive makers; the backpressure is balanced, therefore the instruments plays effortless with a good power, volume and transition between the drone and the toot. I recommend this yiḏaki for those, who are looking for a traditional instrument with high cultural integrity to practice the traditional playing techniques of East Arnhem.

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  • This instrument might be a challenging one for many players due to its extremely high backpressure. Although yiḏaki with high pressure is not popular amongst the (non-Indigenous) players, I often recommend these instruments to challenge skills and muscles. It also helps you to understand the dynamics of the didgeridoo in general. So if you do not have one, here is one for you from a master maker on a good price!

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  • An excellent yiḏaki from Marikuku, who is one of the best didgeridoo makers of the Northeast Arnhem Land region. It has a nice, warm growly sound with medium backpressure and great response rate – easy transition between the drone and the toot. I recommend this instrument for traditional players, however it is a great choice for those as well, who  follow contemporary playing styles.

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  • A stunning-looking yiḏaki by Marikuku, who creates top-quality instruments. If you have a look on the photos of the mouth and bell, you can see how much attention he pays to the finish of his work: perfect round shapes, and comfortable edges. The sound has a nice warm feel, the medium backpressure lets the player flow with the rhythm. The painting depicts gaḏayka marwat, the leafs of the stringybark tree.

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  • A nice and simple didgeridoo for those, who are looking for an easy-to-handle and easy-to-play stick to practice traditional rhythms. It has an open bore, medium backpressure, nice toot, and surprisingly good volume. Good work from Waṉḏawuy!

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  • A great example of a classic bush-yiḏaki made with only hand tools: a machete, a chisel, and sand paper. The result is a 100% organic didgeridoo! The walls are quite thick, therefore the instrument has some weight; the maker took some wood off at the upper part of the instrument, the bottom section left untouched, looks as it is under the bark. The bell saw a chisel, however as you look inside the instrument you can see the natural bore, that makes this yiḏaki – at least in my eyes – a perfect didgeridoo. Is is really easy to play, the switch between the drone and the toot is effortless, the sound is rich, and has a good volume. I recommend this excellent stick for those, who are practising the traditional playing styles of Northeast Arnhem Land, and want to get a solid instrument to take anywhere in any conditions.

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  • It is unusual to find a yiḏaki that is made in Birritjimi – at Djalu’s workshop – with thin walls and highly resonant body; sticks made by either Larry or Djalu have thick, solid walls and powerful, ‘boomy’ sound. This instrument is different – and that is why I wanted to have it in the stock! The narrow neck opens up to an open aperture, the backpressure is medium to low that makes me to feel that this is a slow-player instrument – even though I find it easy to speed up the rhythm. What I enjoy in this yiḏaki is the warm, resonant sound that flows the sound, and drifts you away. Contemporary players would find much joy in this excellent instrument as well as trad-fans.

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  • I had a few yiḏaki from Yalpi in my hands, all of them have similar characteristics: the simple finish, the marks of the machete that is used to shape the instrument, the extremely good playability and the feel that you hold a ‘classic’ traditional yiḏaki in your hands. It has a comfortable mouthpiece, well-balanced backpressure and rich sound. The transition between the drone and the ‘dups’ is very easy, and sound really good. If you read Yalpi’s bio (click on his name above) you can be sure, that you found an instrument with high cultural integrity. The miny’tji (design) depicts one of the most powerful Gumatj totem, the gurtha (fire). I recommend this yiḏaki for traditional players.

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  • Including a copy of the Waṉḏawuy – Mulka Manikay Archives CD

    A unique instrument recommended for collectors who look for something different. Wapurpurr is one of my favourite yiḏaki makers, who live in Waṉḏawuy outstation, about 2.5 hours drive from Yirrkala. He is a ceremonial player, that is clearly reflected in his instruments. This didgeridoo has an open bore, medium backpressure, full-bodied sound with rick acoustics. What makes this instrument special is the artwork that is carved and painted with natural pigments, it depicts two snakes visually moving along the body of the instrument – stunning effect, very well done Wapurpurr! We recommend this rare artwork for collectors. We hope, that the future owner will enjoy listening to the Mulka Manikay Archives Waṉḏawuy recording that accompanies the instrument, featuring Wapurpurr on yiḏaki.

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  • A great instrument from the Maningrida region from one of the busiest makers in the area; David Brian learnt his skills from his father, the renowned artist and didgeridoo master maker Bob Burruwal. David makes instrument for both ceremonial purposes and for sale – if you would like to see a few more examples of his work see the ‘sold didgeridoos’ menu, it is worth to check it out for visual pleasure! This particular instrument has a soft sound, that is – after about 5-10 minutes playing – reaches its real potential. The backpressure is quite low, therefore the player needs to learn to control the air-intake to get the best out of this great stick. I recommend this mago for those, who want to practice the traditional playing styles of West Arnhem Land, and prefer to do it alone, in a relaxed state.

    Key: C# Length: 136.5cm Mouthpiece internal diameter: 4cm waxed Available from Hungary, Europe with shipping to European countries For details and specifications see 'Additional information' tab below. Listen to this mago here:

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