• A good opportunity for collectors to get an old mago-style traditional instrument that we obtained from an art collector in 2010, who purchased it from a local maker in Batchelor community sometimes in the late '80s. Even though it was sitting in a wardrobe for a few decades, the marks on its body suggest it used to be played. Due to the length of the instrument and the natural internal chamber, the backpressure is quite low. The sound is somewhat dry - that is mainly due to the few decades while it was sitting in a wardrobe. Once it is watered through, the depth of the sound opens up and makes it enjoyable to play. A great old-style didgeridoo for those, who are practicing the West Arnhem traditional playing styles.

    Key: B Lenght: 153cm Mouthpiece internal diameter: 3.5cm (waxed) Available from Yirrkala, NT Australia with worldwide shipping For details and specifications see the 'Additional information' tab below. Listen to this mago here:
  • A great and affordable didgeridoo from a well-known yiḏaki maker who is residing between Dhälinybuy homeland and Nhulunbuy township. The top section of the instrument is quite thin including the wall and internal chambers, however the backpressure is lower than you would expect: it is in the mid-range. It is an easy to play yiḏaki with full-bodied sound and great acoustics, responsive for tongue movements and suitable to play even fast rhythms. I recommend this instrument for traditional players who are looking for a top-quality stick.

    Key: Eb/G Lenght: 139cm Mouthpiece internal diameter: 2.5-2.8cm Available from Yirrkala, NT Australia with worldwide shipping For details and specifications see the 'Additional information' tab below. Listen to this yiḏaki here:
  • A simple but great yiḏaki from Djarrkpi outstation, about 3 hours drive from Yirrkala. The humble size and shape of the instrument do not give us a hint what is inside: surprisingly clear sound with medium backpressure and easy transition between the drone and toot. We recommend this didgeridoo for both contemporary and traditional players, however someone who would like to tap into the traditional playing styles of Northeast Arnhem Land would be grateful to own this stick.

    Key: E/G# Lenght: 123cm Mouthpiece internal diameter: 3cm Available from Yirrkala, NT Australia with worldwide shipping For details and specifications see 'Additional information' tab below. Listen to this yiḏaki here:
  • Here is a good opportunity for yiḏaki-nerds: a used ceremonial instrument from Marikuku with great playing characteristics. The chamber is tight at the top and opens up towards the bell (look at the shape of this instrument!), the dups are really easy to hit and sound amazing; the volume is high, the instrument responds well and does whatever the players wishes to hear. It is a heavily used stick, the timber had to cope with a lot and washed through many times. The sound currently is quite dry, that lights up with some water inside. The instrument is cracked at the bell, that is held together with silver duct tape. This yiḏaki is a great example of didgeridoos favoured by Yolŋu ceremonial players nowadays, so we recommend it for collectors who want to get a hold of a unique instrument.

    Key: G/G# Lenght: 134.5cm Mouthpiece internal diameter: 2.8cm Available from Yirrkala, NT Australia with worldwide shipping For details and specifications see 'Additional information' tab below. Listen to this yiḏaki here:
  • A unique opportunity for those, who are looking for a high-pitched super-fast yiḏaki. Since the backpressure is high, I do recommend this instrument for experienced players. A light stick with thin walls, the internal aperture is open and tapered; the dup's are easy to hit - but then again, you need experience to reach the full potential of this great instrument. Here is another beautiful artwork from one of the best yiḏaki makers of our time.

    Key: G/F# Lenght: 133cm Mouthpiece internal diameter: 3.3cm Available from Yirrkala, NT Australia with worldwide shipping For details and specifications see 'Additional information' tab below. Listen to this yiḏaki here:
  • A top-quality yiḏaki from Northeast Arnhem Land with high cultural integrity and superb playing qualities. The sound has rich acoustics, and warm characteristics. The dups are easy to hit, the backpressure is in the medium range. I recommend this instrument for those players, who are looking for a two-in-one instrument to practice traditional playing styles painted with stunning Yolŋu miny'tji.

    Key: Eb-E/F# Lenght: 140cm Mouthpiece internal diameter: 3cm Available from Yirrkala, NT Australia with worldwide shipping For details and specifications see 'Additional information' tab below. Listen to this yiḏaki here:
  • Another great yiḏaki delivered by Marikuku. The instrument is easy to play with medium backpressure and easy transition between the dups and the drone. The sound is rich in acoustics, the wall of the instrument is solid and nicely finished at the outside. I recommend this instrument for those, who are looking for a top-quality yiḏaki to practice traditional rhythms.

    For details and specifications see the 'Additional information' tab below. Listen to this yiḏaki here:
  • Here is a unique opportunity for yiḏaki players and collectors to own an original B. Wunuŋmurra. I do not think I need to introduce Old Man for those who are interested in yiḏaki; for those who are new to the yiḏaki-art: Mr B. Wunuŋmurra is one of the most known and most influential yiḏaki makers of our age, passed away a few years ago (see more in his bio by clicking on his name).

    This stick is quite short, the internal aperture is open and spacious all the way along the instrument - therefore the backpressure is medium, and the sound has plenty of bass and overtones. The player needs to experiment and practice how to hit the dups, however once he got it right, it is effortless and comes easy. A great stick to upgrade the collection with something unique! Listen to this yiḏaki here:
  • A pretty instrument with slim body, medium to high backpressure and lots of high tones in the sound. The internal chamber is quite thin all the way through, that gives an interesting feel to this mago: if you push the air in with the support of your lower stomach, you can hear crisp, higher tones. This stick sings in C#. I recommend this excellent mako for traditional players.

    Listen to this mago here:
  • A high-resonant stick with thin walls and large internal chamber. The backpressure is low, therefore this instrument is quite relaxed and easy to play; the sound is rich in acoustics, deep and warm. The mouthpiece does not have wax at the moment, although it will be required since the opening is quite large. A great mago for kunborrk style!

    Listen to this mago here:
  • A top-player instrument for those who wish to practice the kunborrk style of Central and West Arnhem Land. This instrument has a characteristic sound and resonance with medium backpressure, plenty of acoustics and solid, but resonant body. I highly recommend this excellent mago for traditional players, who want to sharpen their skills on West Arnhem style.

    Listen to this mago here:
  • A unique catch for collectors: and 'old-style instrument with a mouthpiece insert, sealed with sugarbag: an amazing artwork straight from the bush. The instrument has open chamber and plenty of internal space, the sound is resonant, warm, rich in acoustics and the backpressure is medium to low. I recommend this great mako for traditional players.

    Listen to this mago here:
  • An excellent 'gun' coming under the name of Bob Burruwal's wife. Lena is a prominent artist of the Maningrida region, she often creates artworks in collaboration with her husband and family. This stick reminds me instruments made by Bob in the 'old days': open bore, full-bodied resonant sound, medium, well-balanced backpressure. Once this stick warmed up, you cannot stop playing it, amazing acoustics, volume and power. Highly recommended for traditional players.

    Listen to this mago here:
  • This mago is a great opportunity for collectors who wish to have an original Bob Burruwal mago in their collection, since Old Man is not making many instruments anymore. It is a lightweight and tiny stick, with natural curved shape. The internal aperture is confined, and the medium backpressure is well balanced; the air flows through easy and effortless. The sound is rich in overtones and has a surprising depth to it. I recommend this instrument for traditional players only.

    Listen to this mago here:
  • One of the best instrument we have in the stock at the moment. A classic stick from Ŋoŋu: balanced instrument with high backpressure, the transition between the drone and the toot is easy and sound absolutely fantastic (I cannot stop hitting the dups), and the artwork has high cultural integrity. I cannot speak highly enough about this instrument, I recommend it to those players who are practicing traditional playing styles. You won't be disappointed!

    Listen to this yiḏaki here:
  • Another top-quality Dhaḻwaŋu yiḏaki from Balku; the backpressure is well balanced, the transition between the drone and the toot is easy, the sound is direct and rish. I recommend this yiḏaki for those, who are looking for a traditional instrument with high cultural integrity to practice the traditional playing techniques of East Arnhem.

    Listen to this yiḏaki here:
  • A solid yiḏaki from Ŋoṉu with thick walls and great acoustics. The mouthpiece is comfortable, the bell is well worked-out, the backpressure is medium and lets you to roll rhythms effortless. The dups are easy to hit and sound great above the drone. The sound is rich and has lots of depth to it, especially when the instrument is warmed up. I recommend this instrument for those traditional and contemporary players who are looking for a great traditional didgeridoo.

    Listen to this yiḏaki here:
  • A deep-tuned mago with open chamber and low backpressure recommended for players who are looking for an instrument to play slow, melodic rhythms. The sound is rich in acoustics, that are fired up after a few minutes of playing when the instrument warmed up.

    Listen to this mago here:
  • A classic stick from Ŋoŋu: well balanced instrument with confined chamber, medium to high backpressure and top-quality craftsmanship. The mouthpiece is comfortable, the toot is easy to hit and sound great. I recommend this instrument for players who are following traditional playing styles.

    Listen to this yiḏaki here:
  • A classic Yali-yiḏaki with all characteristics you can expect: 'rocket-shaped' body, thin neck, medium pressure, warm drone, easy to hit toots and well worked-out bell. A great choice for those, who follow traditional playing styles.

    Listen to this yiḏaki here:
  • Another great instrument by Wapurrpurr warm sound with rich acoustics and easy playability. The open bore gives a bigger than usual mouthpiece (4cm), so I had to use wax to reduce the size to be able to play it comfortably. The walls are quite thin, therefore it is a lightweight and highly resonant instrument. A great pick for someone who is looking for an 'unusual' yiḏaki.

    Listen to this yiḏaki here:

Go to Top