• Here is a unique opportunity for yiḏaki players and collectors to own an original B. Wunuŋmurra. I do not think I need to introduce Old Man for those who are interested in yiḏaki; for those who are new to the yiḏaki-art: Mr B. Wunuŋmurra is one of the most known and most influential yiḏaki makers of our age, passed away a few years ago (see more in his bio by clicking on his name).

    This stick is quite short, the internal aperture is open and spacious all the way along the instrument - therefore the backpressure is medium, and the sound has plenty of bass and overtones. The player needs to experiment and practice how to hit the dups, however once he got it right, it is effortless and comes easy. A great stick to upgrade the collection with something unique! Listen to this yiḏaki here:
  • A great Dhaḻwaŋu yiḏaki from one of the most productive makers; the backpressure is balanced, therefore the instruments plays effortless with a good power, volume and transition between the drone and the toot. I recommend this yiḏaki for those, who are looking for a traditional instrument with high cultural integrity to practice the traditional playing techniques of East Arnhem.

    Listen to this yiḏaki here:
  • A great a versatile stick from one of the most famous makers of Northeast Arnhem Land. Since Mr B. Wunuŋmurra  passed away recently, this is one of the last opportunities to purchase an instrument made by him. After the instrument and its player warmed up, its sound is full of life, rich in low and high overtones; easy to play, responsive to every movements of the lips and tongue, the toot is easy to hit, suitable for fast playing. Beautiful shape and painting, I recommend this yiḏaki for traditional players and/or collectors.

    Listen to this mago here:
  • Another top-quality Dhaḻwaŋu yiḏaki from Balku; the backpressure is well balanced, the transition between the drone and the toot is easy, the sound is direct and rish. I recommend this yiḏaki for those, who are looking for a traditional instrument with high cultural integrity to practice the traditional playing techniques of East Arnhem.

    Listen to this yiḏaki here:
  • This mago is a great opportunity for collectors who wish to have an original Bob Burruwal mago in their collection, since Old Man is not making many instruments anymore. It is a lightweight and tiny stick, with natural curved shape. The internal aperture is confined, and the medium backpressure is well balanced; the air flows through easy and effortless. The sound is rich in overtones and has a surprising depth to it. I recommend this instrument for traditional players only.

    Listen to this mago here:
  • A great instrument from the Maningrida region from one of the busiest makers in the area; David Brian learnt his skills from his father, the renowned artist and didgeridoo master maker Bob Burruwal. David makes instrument for both ceremonial purposes and for sale – if you would like to see a few more examples of his work see the ‘sold didgeridoos’ menu, it is worth to check it out for visual pleasure! This particular instrument has a soft sound, that is – after about 5-10 minutes playing – reaches its real potential. The backpressure is quite low, therefore the player needs to learn to control the air-intake to get the best out of this great stick. I recommend this mago for those, who want to practice the traditional playing styles of West Arnhem Land, and prefer to do it alone, in a relaxed state.

    Listen to this mago here:
  • A very ‘slow-player’ instrument with deep, relaxed sound from Maningrida, North-Central Arnhem Land. The walls are quite thick all the way along the body, that’s why it’s a heavy stick. I had to spend some time to find the sound I was looking for in this instrument, since the play-ability is unbalanced and the backpressure is low. A very slow-moving stick with good bass and overtones after a few minutes of playing. The painting depicts ceremonial body pendants.

    Listen to this mago here:
  • A deep-tuned mago with open chamber and low backpressure recommended for players who are looking for an instrument to play slow, melodic rhythms. The sound is rich in acoustics, that are fired up after a few minutes of playing when the instrument warmed up.

    Listen to this mago here:
  • A unique catch for collectors: and 'old-style instrument with a mouthpiece insert, sealed with sugarbag: an amazing artwork straight from the bush. The instrument has open chamber and plenty of internal space, the sound is resonant, warm, rich in acoustics and the backpressure is medium to low. I recommend this great mako for traditional players.

    Listen to this mago here:
  • A high-resonant stick with thin walls and large internal chamber. The backpressure is low, therefore this instrument is quite relaxed and easy to play; the sound is rich in acoustics, deep and warm. The mouthpiece does not have wax at the moment, although it will be required since the opening is quite large. A great mago for kunborrk style!

    Listen to this mago here:
  • A top-player instrument for those who wish to practice the kunborrk style of Central and West Arnhem Land. This instrument has a characteristic sound and resonance with medium backpressure, plenty of acoustics and solid, but resonant body. I highly recommend this excellent mago for traditional players, who want to sharpen their skills on West Arnhem style.

    Listen to this mago here:
  • A 100% top-yiḏaki by Dhapa. It has a surprisingly powerful sound with medium to high backpressure, and warm sound that is rich in overtones. The walls are thin that gives a way new feeling to the instrument, it is very enjoyable to play! I highly recommend this stick for those, who are following the traditional playing styles of Northeast Arnhem Land.

    Listen to this mago here:
  • Dhapa is constantly delivering top-quality didgeridoos for the last few years, it is not surprising, that he is one of the most popular makers of the Northeast Arnhem Land region. His instruments are sought not only by ŋäpaki (non-Indigenous people), but I also often see his instruments played by Yolŋu players during performances or public ceremonies. This instrument is a great example of Dhapa’s work, the plain timber highlights his attention to detail and effort to give fine finish to his works. The mouthpiece and the bell are perfectly shaped, as you run your hands through the surface you can feel the maker’s refined vision and intention to provide high-quality artwork. Its sound is rich in overtones and bass; the switch between the drone and the trumpet-sound is effortless, the ‘dups’ are very easy to hit. We recommend this instrument for both contemporary and traditional players.

    Listen to this yiḏaki here:
  • A very nice traditional instrument with a beautiful shape and clear lines. The open bore provides medium backpressure and spacious acoustics. The drone and toots are easy to play. The size of the mouthpiece might be a too wide for some, but it can be easily reduced with wax. We recommend this instrument for someone who is looking for a special but simple traditional didgeridoo.

    Listen to this yiḏaki here:
  • An excellent 'gun' coming under the name of Bob Burruwal's wife. Lena is a prominent artist of the Maningrida region, she often creates artworks in collaboration with her husband and family. This stick reminds me instruments made by Bob in the 'old days': open bore, full-bodied resonant sound, medium, well-balanced backpressure. Once this stick warmed up, you cannot stop playing it, amazing acoustics, volume and power. Highly recommended for traditional players.

    Listen to this mago here:
  • A pretty instrument with slim body, medium to high backpressure and lots of high tones in the sound. The internal chamber is quite thin all the way through, that gives an interesting feel to this mago: if you push the air in with the support of your lower stomach, you can hear crisp, higher tones. This stick sings in C#. I recommend this excellent mako for traditional players.

    Listen to this mago here:
  • Here is a good opportunity for yiḏaki-nerds: a used ceremonial instrument from Marikuku with great playing characteristics. The chamber is tight at the top and opens up towards the bell (look at the shape of this instrument!), the dups are really easy to hit and sound amazing; the volume is high, the instrument responds well and does whatever the players wishes to hear. It is a heavily used stick, the timber had to cope with a lot and washed through many times. The sound currently is quite dry, that lights up with some water inside. The instrument is cracked at the bell, that is held together with silver duct tape. This yiḏaki is a great example of didgeridoos favoured by Yolŋu ceremonial players nowadays, so we recommend it for collectors who want to get a hold of a unique instrument.

    Key: G/G# Lenght: 134.5cm Mouthpiece internal diameter: 2.8cm Available from Yirrkala, NT Australia with worldwide shipping For details and specifications see 'Additional information' tab below. Listen to this yiḏaki here:
  • An excellent yiḏaki from Marikuku, who is one of the best didgeridoo makers of the Northeast Arnhem Land region. It has a nice, warm growly sound with medium backpressure and great response rate – easy transition between the drone and the toot. I recommend this instrument for traditional players, however it is a great choice for those as well, who  follow contemporary playing styles.

    Listen to this mago here:
  • A stunning-looking yiḏaki by Marikuku, who creates top-quality instruments. If you have a look on the photos of the mouth and bell, you can see how much attention he pays to the finish of his work: perfect round shapes, and comfortable edges. The sound has a nice warm feel, the medium backpressure lets the player flow with the rhythm. The painting depicts gaḏayka marwat, the leafs of the stringybark tree.

    Listen to this mago here:
  • An excellent yiḏaki from Marikuku, painted with natural pigments. The backpressure is medium, therefore the instrument is easy to play; the dups sound really great and compliment the rich acoustics of the instrument. I recommend this instrument for both art collectors and yiḏaki players who look for instruments with high cultural integrity.

    Listen to this yiḏaki here:
  • Another great yiḏaki delivered by Marikuku. The instrument is easy to play with medium backpressure and easy transition between the dups and the drone. The sound is rich in acoustics, the wall of the instrument is solid and nicely finished at the outside. I recommend this instrument for those, who are looking for a top-quality yiḏaki to practice traditional rhythms.

    For details and specifications see the 'Additional information' tab below. Listen to this yiḏaki here:
  • A simple but great yiḏaki from Djarrkpi outstation, about 3 hours drive from Yirrkala. The humble size and shape of the instrument do not give us a hint what is inside: surprisingly clear sound with medium backpressure and easy transition between the drone and toot. We recommend this didgeridoo for both contemporary and traditional players, however someone who would like to tap into the traditional playing styles of Northeast Arnhem Land would be grateful to own this stick.

    Key: E/G# Lenght: 123cm Mouthpiece internal diameter: 3cm Available from Yirrkala, NT Australia with worldwide shipping For details and specifications see 'Additional information' tab below. Listen to this yiḏaki here:
  • This instrument might be a challenging one for many players due to its extremely high backpressure. Although yiḏaki with high pressure is not popular amongst the (non-Indigenous) players, I often recommend these instruments to challenge skills and muscles. It also helps you to understand the dynamics of the didgeridoo in general. So if you do not have one, here is one for you from a master maker on a good price!

    Listen to this yiḏaki here:
  • Another great work from Ŋoŋu with balanced sound and backpressure, medium volume and good quality craftsmanship. I recommend this instrument for those, who are following the traditional playing techniques of the Northeast Arnhem Land region.

    Listen to this mago here:
  • Another great traditional yiḏaki from a busy maker from Dhalinybuy outstation, about 2 hours drive from Nhulunbuy. The backpressure is medium to high, the instrument is responsive, the toot is easy to hit. The sound is a little bit confined and a ‘dirty’ feel that I like very much. The bright and stunning painting is made by using natural colours, the design is one of the most used Daṯiwuy clan pattern painted by Ŋoŋu.

    Listen to this mago here:
  • An easy player instrument with open bore, medium backpressure and rich drone. The transition between the drone and the toot is easy, and the size and shape of the mouthpiece make the dups very easy to hit. A top-quality, 100% natural yiḏaki for trad-heads.

    Listen to this yiḏaki here:
  • A classic stick from Ŋoŋu: well balanced instrument with confined chamber, medium to high backpressure and top-quality craftsmanship. The mouthpiece is comfortable, the toot is easy to hit and sound great. I recommend this instrument for players who are following traditional playing styles.

    Listen to this yiḏaki here:
  • A solid yiḏaki from Ŋoṉu with thick walls and great acoustics. The mouthpiece is comfortable, the bell is well worked-out, the backpressure is medium and lets you to roll rhythms effortless. The dups are easy to hit and sound great above the drone. The sound is rich and has lots of depth to it, especially when the instrument is warmed up. I recommend this instrument for those traditional and contemporary players who are looking for a great traditional didgeridoo.

    Listen to this yiḏaki here:
  • One of the best instrument we have in the stock at the moment. A classic stick from Ŋoŋu: balanced instrument with high backpressure, the transition between the drone and the toot is easy and sound absolutely fantastic (I cannot stop hitting the dups), and the artwork has high cultural integrity. I cannot speak highly enough about this instrument, I recommend it to those players who are practicing traditional playing styles. You won't be disappointed!

    Listen to this yiḏaki here:
  • A top-quality yiḏaki from Northeast Arnhem Land with high cultural integrity and superb playing qualities. The sound has rich acoustics, and warm characteristics. The dups are easy to hit, the backpressure is in the medium range. I recommend this instrument for those players, who are looking for a two-in-one instrument to practice traditional playing styles painted with stunning Yolŋu miny'tji.

    Key: Eb-E/F# Lenght: 140cm Mouthpiece internal diameter: 3cm Available from Yirrkala, NT Australia with worldwide shipping For details and specifications see 'Additional information' tab below. Listen to this yiḏaki here:
  • A unique opportunity for those, who are looking for a high-pitched super-fast yiḏaki. Since the backpressure is high, I do recommend this instrument for experienced players. A light stick with thin walls, the internal aperture is open and tapered; the dup's are easy to hit - but then again, you need experience to reach the full potential of this great instrument. Here is another beautiful artwork from one of the best yiḏaki makers of our time.

    Key: G/F# Lenght: 133cm Mouthpiece internal diameter: 3.3cm Available from Yirrkala, NT Australia with worldwide shipping For details and specifications see 'Additional information' tab below. Listen to this yiḏaki here:
  • A good opportunity for collectors to get an old mago-style traditional instrument that we obtained from an art collector in 2010, who purchased it from a local maker in Batchelor community sometimes in the late '80s. Even though it was sitting in a wardrobe for a few decades, the marks on its body suggest it used to be played. Due to the length of the instrument and the natural internal chamber, the backpressure is quite low. The sound is somewhat dry - that is mainly due to the few decades while it was sitting in a wardrobe. Once it is watered through, the depth of the sound opens up and makes it enjoyable to play. A great old-style didgeridoo for those, who are practicing the West Arnhem traditional playing styles.

    Key: B Lenght: 153cm Mouthpiece internal diameter: 3.5cm (waxed) Available from Yirrkala, NT Australia with worldwide shipping For details and specifications see the 'Additional information' tab below. Listen to this mago here:
  • A nice and simple didgeridoo for those, who are looking for an easy-to-handle and easy-to-play stick to practice traditional rhythms. It has an open bore, medium backpressure, nice toot, and surprisingly good volume. Good work from Waṉḏawuy!

    Listen to this mago here:
  • Including a copy of the Waṉḏawuy – Mulka Manikay Archives CD

    A unique instrument recommended for collectors who look for something different. Wapurpurr is one of my favourite yiḏaki makers, who live in Waṉḏawuy outstation, about 2.5 hours drive from Yirrkala. He is a ceremonial player, that is clearly reflected in his instruments. This didgeridoo has an open bore, medium backpressure, full-bodied sound with rick acoustics. What makes this instrument special is the artwork that is carved and painted with natural pigments, it depicts two snakes visually moving along the body of the instrument – stunning effect, very well done Wapurpurr! We recommend this rare artwork for collectors. We hope, that the future owner will enjoy listening to the Mulka Manikay Archives Waṉḏawuy recording that accompanies the instrument, featuring Wapurpurr on yiḏaki.

    Listen to this mago here:
  • Wapurrpurr is delivering top-quality yiḏaki for some time, his works are highlights of our stock updates recently - this instrument is another example of that. Open bore, warm, full-bodied sound with rich acoustics and medium backpressure. You can find a patch on the neck of the instrument that is a type of repair often used by the maker. We recommend this instrument for players and collectors who want to buy a good quality instrument from a popular maker.

    Listen to this yiḏaki here:
  • Another great instrument by Wapurrpurr warm sound with rich acoustics and easy playability. The open bore gives a bigger than usual mouthpiece (4cm), so I had to use wax to reduce the size to be able to play it comfortably. The walls are quite thin, therefore it is a lightweight and highly resonant instrument. A great pick for someone who is looking for an 'unusual' yiḏaki.

    Listen to this yiḏaki here:
  • It is unusual to find a yiḏaki that is made in Birritjimi – at Djalu’s workshop – with thin walls and highly resonant body; sticks made by either Larry or Djalu have thick, solid walls and powerful, ‘boomy’ sound. This instrument is different – and that is why I wanted to have it in the stock! The narrow neck opens up to an open aperture, the backpressure is medium to low that makes me to feel that this is a slow-player instrument – even though I find it easy to speed up the rhythm. What I enjoy in this yiḏaki is the warm, resonant sound that flows the sound, and drifts you away. Contemporary players would find much joy in this excellent instrument as well as trad-fans.

    Listen to this yiḏaki here:
  • A classic Yali-yiḏaki with all characteristics you can expect: 'rocket-shaped' body, thin neck, medium pressure, warm drone, easy to hit toots and well worked-out bell. A great choice for those, who follow traditional playing styles.

    Listen to this yiḏaki here:
  • A great and affordable didgeridoo from a well-known yiḏaki maker who is residing between Dhälinybuy homeland and Nhulunbuy township. The top section of the instrument is quite thin including the wall and internal chambers, however the backpressure is lower than you would expect: it is in the mid-range. It is an easy to play yiḏaki with full-bodied sound and great acoustics, responsive for tongue movements and suitable to play even fast rhythms. I recommend this instrument for traditional players who are looking for a top-quality stick.

    Key: Eb/G Lenght: 139cm Mouthpiece internal diameter: 2.5-2.8cm Available from Yirrkala, NT Australia with worldwide shipping For details and specifications see the 'Additional information' tab below. Listen to this yiḏaki here:

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