• A great a versatile stick from one of the most famous makers of Northeast Arnhem Land. Since Mr B. Wunuŋmurra  passed away recently, this is one of the last opportunities to purchase an instrument made by him. After the instrument and its player warmed up, its sound is full of life, rich in low and high overtones; easy to play, responsive to every movements of the lips and tongue, the toot is easy to hit, suitable for fast playing. Beautiful shape and painting, I recommend this yiḏaki for traditional players and/or collectors.

    Listen to this mago here:
  • One of the best instrument we have in the stock at the moment. A classic stick from Ŋoŋu: balanced instrument with high backpressure, the transition between the drone and the toot is easy and sound absolutely fantastic (I cannot stop hitting the dups), and the artwork has high cultural integrity. I cannot speak highly enough about this instrument, I recommend it to those players who are practicing traditional playing styles. You won't be disappointed!

    Listen to this yiḏaki here:
  • This mago is a great opportunity for collectors who wish to have an original Bob Burruwal mago in their collection, since Old Man is not making many instruments anymore. It is a lightweight and tiny stick, with natural curved shape. The internal aperture is confined, and the medium backpressure is well balanced; the air flows through easy and effortless. The sound is rich in overtones and has a surprising depth to it. I recommend this instrument for traditional players only.

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  • A unique catch for collectors: and 'old-style instrument with a mouthpiece insert, sealed with sugarbag: an amazing artwork straight from the bush. The instrument has open chamber and plenty of internal space, the sound is resonant, warm, rich in acoustics and the backpressure is medium to low. I recommend this great mako for traditional players.

    Listen to this mago here:
  • A top-player instrument for those who wish to practice the kunborrk style of Central and West Arnhem Land. This instrument has a characteristic sound and resonance with medium backpressure, plenty of acoustics and solid, but resonant body. I highly recommend this excellent mako for traditional players, who want to sharpen their skills on West Arnhem style.

    Listen to this mako here:
  • A top-player instrument for those who wish to practice the kunborrk style of Central and West Arnhem Land. This instrument has exceptional acoustics and resonance with medium backpressure and solid, but resonant body. I highly recommend this excellent mago for traditional players, who want to sharpen their skills on West Arnhem style.

    Key: Eb Lenght: 132.7cm Mouthpiece internal diameter: 3.5-3.7cm, the mouthpiece is waxed Available from Yirrkala, NT Australia with worldwide shipping Listen to this mako here:
  • Including a copy of the Waṉḏawuy – Mulka Manikay Archives CD

    A unique instrument recommended for collectors who look for something different. Wapurpurr is one of my favourite yiḏaki makers, who live in Waṉḏawuy outstation, about 2.5 hours drive from Yirrkala. He is a ceremonial player, that is clearly reflected in his instruments. This didgeridoo has an open bore, medium backpressure, full-bodied sound with rick acoustics. What makes this instrument special is the artwork that is carved and painted with natural pigments, it depicts two snakes visually moving along the body of the instrument – stunning effect, very well done Wapurpurr! We recommend this rare artwork for collectors. We hope, that the future owner will enjoy listening to the Mulka Manikay Archives Waṉḏawuy recording that accompanies the instrument, featuring Wapurpurr on yiḏaki.

    Listen to this mago here:
  • A stunning-looking yiḏaki by Marikuku, who creates top-quality instruments. If you have a look on the photos of the mouth and bell, you can see how much attention he pays to the finish of his work: perfect round shapes, and comfortable edges. The sound has a nice warm feel, the medium backpressure lets the player flow with the rhythm. The painting depicts gaḏayka marwat, the leafs of the stringybark tree.

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  • A unique opportunity for those, who are looking for a high-pitched super-fast yiḏaki. Since the backpressure is high, I do recommend this instrument for experienced players. A light stick with thin walls, the internal aperture is open and tapered; the dup's are easy to hit - but then again, you need experience to reach the full potential of this great instrument. Here is another beautiful artwork from one of the best yiḏaki makers of our time.

    Key: G/F# Lenght: 133cm Mouthpiece internal diameter: 3.3cm Available from Yirrkala, NT Australia with worldwide shipping For details and specifications see 'Additional information' tab below. Listen to this yiḏaki here:
  • A very ‘slow-player’ instrument with deep, relaxed sound from Maningrida, North-Central Arnhem Land. The walls are quite thick all the way along the body, that’s why it’s a heavy stick. I had to spend some time to find the sound I was looking for in this instrument, since the play-ability is unbalanced and the backpressure is low. A very slow-moving stick with good bass and overtones after a few minutes of playing. The painting depicts ceremonial body pendants.

    Listen to this mago here:
  • A great instrument from the Maningrida region from one of the busiest makers in the area; David Brian learnt his skills from his father, the renowned artist and didgeridoo master maker Bob Burruwal. David makes instrument for both ceremonial purposes and for sale – if you would like to see a few more examples of his work see the ‘sold didgeridoos’ menu, it is worth to check it out for visual pleasure! This particular instrument has a soft sound, that is – after about 5-10 minutes playing – reaches its real potential. The backpressure is quite low, therefore the player needs to learn to control the air-intake to get the best out of this great stick. I recommend this mago for those, who want to practice the traditional playing styles of West Arnhem Land, and prefer to do it alone, in a relaxed state.

    Key: C# Length: 136.5cm Mouthpiece internal diameter: 4cm waxed Available from Hungary, Europe with shipping to European countries For details and specifications see 'Additional information' tab below. Listen to this mago here:
  • An excellent 'gun' coming under the name of Bob Burruwal's wife. Lena is a prominent artist of the Maningrida region, she often creates artworks in collaboration with her husband and family. This stick reminds me instruments made by Bob in the 'old days': open bore, full-bodied resonant sound, medium, well-balanced backpressure. Once this stick warmed up, you cannot stop playing it, amazing acoustics, volume and power. Highly recommended for traditional players.

    Listen to this mago here:
  • A deep-tuned mago with open chamber and low backpressure recommended for players who are looking for an instrument to play slow, melodic rhythms. The sound is rich in acoustics, that are fired up after a few minutes of playing when the instrument warmed up.

    Key: C Length: 152.5cm Mouthpiece internal diameter: 4cm waxed Available from Hungary, Europe with shipping to European countries For details and specifications see 'Additional information' tab below. Listen to this mago here:
  • A top-quality yiḏaki from Northeast Arnhem Land with high cultural integrity and superb playing qualities. The sound has rich acoustics, and warm characteristics. The dups are easy to hit, the backpressure is in the medium range. I recommend this instrument for those players, who are looking for a two-in-one instrument to practice traditional playing styles painted with stunning Yolŋu miny'tji.

    Key: Eb-E/F# Lenght: 140cm Mouthpiece internal diameter: 3cm Available from Yirrkala, NT Australia with worldwide shipping For details and specifications see 'Additional information' tab below. Listen to this yiḏaki here:
  • An excellent instrument, a good example of mako played in the Central-Arnhem Land region to accompany kun-borrk songs: the spacious internal chamber and large bell produces exceptional volume, resonance and acoustics, the backpressure is medium and supports the player to create the characteristic 'pulling-sound'. The artwork is detailed and beautiful, painted with natural pigments. I recommend this superb instrument for those, who are looking for a mako of the lifetime.

    Key: E Lenght: 139.5cm Mouthpiece internal diameter: 4.3cm, the mouthpiece is waxed Available from Yirrkala, NT Australia with worldwide shipping Listen to this mako here:

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