• A great Dhaḻwaŋu yiḏaki from one of the most productive makers; the backpressure is balanced, therefore the instruments plays effortless with a good power, volume and transition between the drone and the toot. I recommend this yiḏaki for those, who are looking for a traditional instrument with high cultural integrity to practice the traditional playing techniques of East Arnhem.

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  • A great a versatile stick from one of the most famous makers of Northeast Arnhem Land. Since Mr B. Wunuŋmurra  passed away recently, this is one of the last opportunities to purchase an instrument made by him. After the instrument and its player warmed up, its sound is full of life, rich in low and high overtones; easy to play, responsive to every movements of the lips and tongue, the toot is easy to hit, suitable for fast playing. Beautiful shape and painting, I recommend this yiḏaki for traditional players and/or collectors.

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  • Another top-quality Dhaḻwaŋu yiḏaki from Balku; the backpressure is well balanced, the transition between the drone and the toot is easy, the sound is direct and rish. I recommend this yiḏaki for those, who are looking for a traditional instrument with high cultural integrity to practice the traditional playing techniques of East Arnhem.

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  • A great instrument from the Maningrida region from one of the busiest makers in the area; David Brian learnt his skills from his father, the renowned artist and didgeridoo master maker Bob Burruwal. David makes instrument for both ceremonial purposes and for sale – if you would like to see a few more examples of his work see the ‘sold didgeridoos’ menu, it is worth to check it out for visual pleasure! This particular instrument has a soft sound, that is – after about 5-10 minutes playing – reaches its real potential. The backpressure is quite low, therefore the player needs to learn to control the air-intake to get the best out of this great stick. I recommend this mago for those, who want to practice the traditional playing styles of West Arnhem Land, and prefer to do it alone, in a relaxed state.

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  • A very ‘slow-player’ instrument with deep, relaxed sound from Maningrida, North-Central Arnhem Land. The walls are quite thick all the way along the body, that’s why it’s a heavy stick. I had to spend some time to find the sound I was looking for in this instrument, since the play-ability is unbalanced and the backpressure is low. A very slow-moving stick with good bass and overtones after a few minutes of playing. The painting depicts ceremonial body pendants.

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  • A 100% top-yiḏaki by Dhapa. It has a surprisingly powerful sound with medium to high backpressure, and warm sound that is rich in overtones. The walls are thin that gives a way new feeling to the instrument, it is very enjoyable to play! I highly recommend this stick for those, who are following the traditional playing styles of Northeast Arnhem Land.

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  • Dhapa is constantly delivering top-quality didgeridoos for the last few years, it is not surprising, that he is one of the most popular makers of the Northeast Arnhem Land region. His instruments are sought not only by ŋäpaki (non-Indigenous people), but I also often see his instruments played by Yolŋu players during performances or public ceremonies. This instrument is a great example of Dhapa’s work, the plain timber highlights his attention to detail and effort to give fine finish to his works. The mouthpiece and the bell are perfectly shaped, as you run your hands through the surface you can feel the maker’s refined vision and intention to provide high-quality artwork. Its sound is rich in overtones and bass; the switch between the drone and the trumpet-sound is effortless, the ‘dups’ are very easy to hit. We recommend this instrument for both contemporary and traditional players.

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  • Book and DVD kit

    The kinship system is a foundation of the Aboriginal social organisation, a complex system that not only determines how people relate to each other, but governs the roles and obligations towards each other and the Land. The kinship system differ from region to region, but they have one thing in common: the kin terms that used for blood relatives are extended to every people in the social world, to outsiders or `newcomers`, even to the non-human world. If you wish to learn about Aboriginal culture, studying kinship is the first step you need to take.

  • Book and CD kit

    Gupapuyŋu is one of the languages of the Yolŋu Matha language group spoken in Northeast Arnhem Land. The Aboriginal people who are living in this area call themselves Yolŋu; it is common that a Yolŋu person speaks three or four different languages. The Gupapuyŋu is spoken in the Miliŋimbi area, although it is understood in the whole region by many of the Yolŋu clans.

  • An excellent yiḏaki from Marikuku, who is one of the best didgeridoo makers of the Northeast Arnhem Land region. It has a nice, warm growly sound with medium backpressure and great response rate – easy transition between the drone and the toot. I recommend this instrument for traditional players, however it is a great choice for those as well, who  follow contemporary playing styles.

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  • A stunning-looking yiḏaki by Marikuku, who creates top-quality instruments. If you have a look on the photos of the mouth and bell, you can see how much attention he pays to the finish of his work: perfect round shapes, and comfortable edges. The sound has a nice warm feel, the medium backpressure lets the player flow with the rhythm. The painting depicts gaḏayka marwat, the leafs of the stringybark tree.

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  • This instrument might be a challenging one for many players due to its extremely high backpressure. Although yiḏaki with high pressure is not popular amongst the (non-Indigenous) players, I often recommend these instruments to challenge skills and muscles. It also helps you to understand the dynamics of the didgeridoo in general. So if you do not have one, here is one for you from a master maker on a good price!

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  • Another great work from Ŋoŋu with balanced sound and backpressure, medium volume and good quality craftsmanship. I recommend this instrument for those, who are following the traditional playing techniques of the Northeast Arnhem Land region.

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  • Another great traditional yiḏaki from a busy maker from Dhalinybuy outstation, about 2 hours drive from Nhulunbuy. The backpressure is medium to high, the instrument is responsive, the toot is easy to hit. The sound is a little bit confined and a ‘dirty’ feel that I like very much. The bright and stunning painting is made by using natural colours, the design is one of the most used Daṯiwuy clan pattern painted by Ŋoŋu.

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  • coming soon...

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  • coming soon....

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  • A classic stick from Ŋoŋu: well balanced instrument with confined chamber, medium to high backpressure and top-quality craftsmanship. The mouthpiece is comfortable, the toot is easy to hit and sound great. I recommend this instrument for players who are following traditional playing styles.

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  • A solid yiḏaki from Ŋoṉu with thick walls and great acoustics. The mouthpiece is comfortable, the bell is well worked-out, the backpressure is medium and lets you to roll rhythms effortless. The dups are easy to hit and sound great above the drone. The sound is rich and has lots of depth to it, especially when the instrument is warmed up. I recommend this instrument for those traditional and contemporary players who are looking for a great traditional didgeridoo.

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  • A nice and simple didgeridoo for those, who are looking for an easy-to-handle and easy-to-play stick to practice traditional rhythms. It has an open bore, medium backpressure, nice toot, and surprisingly good volume. Good work from Waṉḏawuy!

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  • coming soon…

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  • Including a copy of the Waṉḏawuy – Mulka Manikay Archives CD

    A unique instrument recommended for collectors who look for something different. Wapurpurr is one of my favourite yiḏaki makers, who live in Waṉḏawuy outstation, about 2.5 hours drive from Yirrkala. He is a ceremonial player, that is clearly reflected in his instruments. This didgeridoo has an open bore, medium backpressure, full-bodied sound with rick acoustics. What makes this instrument special is the artwork that is carved and painted with natural pigments, it depicts two snakes visually moving along the body of the instrument – stunning effect, very well done Wapurpurr! We recommend this rare artwork for collectors. We hope, that the future owner will enjoy listening to the Mulka Manikay Archives Waṉḏawuy recording that accompanies the instrument, featuring Wapurpurr on yiḏaki.

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