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  • An easy to play instrument, versatile with warm resonant sound and medium, well-balanced backpressure. At the first sight this stick does not look like a seriously good player from Djalu', but don't be confused: what you hear and see is a top-yiḏaki with excellent acoustics and playability.

    Key: C# Lenght: 156cm Mouthpiece internal diameter: 3cm Available from Yirrkala, NT Australia with worldwide shipping For details and specifications see the 'Additional information' tab below.

    Listen to this yiḏaki here:

  • An easy to play instrument with warm resonant sound and medium backpressure. Since the drone is quite hight (plays in G) I needed a few minutes to learn how to hit the 'dup'. I recommend this great instrument for both who follow traditional and contemporary playing styles.

    Key: E Lenght: 152cm Mouthpiece internal diameter: 2.6cm Available from Yirrkala, NT Australia with worldwide shipping For details and specifications see the 'Additional information' tab below.

    Listen to this yiḏaki here:

  • A high-pitched yiḏaki from Djalu; the body of the instrument is quite short compared to the larger sticks favoured by Old Man. The backpressure is in the higher range, well balanced and urges the player to play fast rhythms. The instrument is responsive to tongue and lip movements, and the transition to the 'dups' is easy. A great catch to practice traditional style!

    Key: F#/G# Lenght: 142cm Mouthpiece internal diameter: 2.7cm Available from Yirrkala, NT Australia with worldwide shipping For details and specifications see the 'Additional information' tab below.

    Listen to this yiḏaki here:

  • A great traditional didgeridoo with Waŋurri clan design. The wall of the instrument is solid, therefore it is quite heavy, the shape and the overall finish compliments the skills of the maker. The mouthpiece is well-shaped, back-pressure is high, the sound is powerful, somewhat confined and ‘dirty’, that makes this stick unique. You might find this instrument a little challenging, but we do believe, that it is one of the highlights of this great yiḏaki since it is able to teach you lessons that you can’t get anywhere else.

    Listen to this yiḏaki here: sound sample coming soon...
  • A pretty instrument with slim body, medium to high backpressure and lots of high tones in the sound. The internal chamber is quite thin all the way through, that gives an interesting feel to this mago: if you push the air in with the support of your lower stomach, you can hear crisp, higher tones. This stick sings in C#. I recommend this excellent mako for traditional players.

    Listen to this mago here:
  • A simple, lightweight yiḏaki with tight neck and thin walls (check 'Additional information for specs). The backpressure is medium to high that gives a great balance for the player; the instrument is responsive for tongue and cheek movements. I recommend this instrument for players who would like to prectice traditional playing styles.

    Listen to this yiḏaki here:
  • Here is a good opportunity for yiḏaki-nerds: a used ceremonial instrument from Marikuku with great playing characteristics. The chamber is tight at the top and opens up towards the bell (look at the shape of this instrument!), the dups are really easy to hit and sound amazing; the volume is high, the instrument responds well and does whatever the players wishes to hear. It is a heavily used stick, the timber had to cope with a lot and washed through many times. The sound currently is quite dry, that lights up with some water inside. The instrument is cracked at the bell, that is held together with silver duct tape. This yiḏaki is a great example of didgeridoos favoured by Yolŋu ceremonial players nowadays, so we recommend it for collectors who want to get a hold of a unique instrument.

    Key: G/G# Lenght: 134.5cm Mouthpiece internal diameter: 2.8cm Available from Yirrkala, NT Australia with worldwide shipping For details and specifications see 'Additional information' tab below. Listen to this yiḏaki here:
  • An excellent yiḏaki from Marikuku, who is one of the best didgeridoo makers of the Northeast Arnhem Land region. It has a nice, warm growly sound with medium backpressure and great response rate – easy transition between the drone and the toot. I recommend this instrument for traditional players, however it is a great choice for those as well, who  follow contemporary playing styles.

    Listen to this mago here:
  • We have seen a few great yiḏaki from Marikuku, this is another one that we can offer on a good price. The instrument looks very simple, that should not confuse an expert eye. An easy-to-play didgeridoo, the sound is warm and has a good bass with medium back pressure. We recommend this didgeridoo for those, who do not wish to follow a traditional style – if you are a ‘trad-head’, consider this stick, you will be surprised!

    Listen to this yiḏaki here:
  • A simple but great yiḏaki from Djarrkpi outstation, about 3 hours drive from Yirrkala. The humble size and shape of the instrument do not give us a hint what is inside: surprisingly clear sound with medium backpressure and easy transition between the drone and toot. We recommend this didgeridoo for both contemporary and traditional players, however someone who would like to tap into the traditional playing styles of Northeast Arnhem Land would be grateful to own this stick.

    Key: E/G# Lenght: 123cm Mouthpiece internal diameter: 3cm Available from Yirrkala, NT Australia with worldwide shipping For details and specifications see 'Additional information' tab below. Listen to this yiḏaki here:
  • A heavy-weight yiḏaki with tapered, nicely shaped body, big bell and volume. Due to the confined internal chamber along the top section of the instrument the backpressure is quite high, therefore I recommend this instrument for experienced players - but once you learn how to 'handle' it, this didgeridoo is a master-blaster. The sound is somewhat 'dirty' that I like very much, the transition between the drone and the trumpet sound and the dups is easy. I recommend this great huge stick for traditional players who are looking for an instrument to practice and learn how to control a high-pitched yiḏaki.

    Key: F#/F Lenght: 160cm Mouthpiece internal diameter: 2.7cm Available from Yirrkala, NT Australia with worldwide shipping For details and specifications see the 'Additional information' tab below. Listen to this yiḏaki here:
  • This instrument might be a challenging one for many players due to its extremely high backpressure. Although yiḏaki with high pressure is not popular amongst the (non-Indigenous) players, I often recommend these instruments to challenge skills and muscles. It also helps you to understand the dynamics of the didgeridoo in general. So if you do not have one, here is one for you from a master maker on a good price!

    Listen to this yiḏaki here:
  • Another great work from Ŋoŋu with balanced sound and backpressure, medium volume and good quality craftsmanship. I recommend this instrument for those, who are following the traditional playing techniques of the Northeast Arnhem Land region.

    Listen to this mago here:
  • Another highly charged yiḏaki from master Ŋoŋu. The instrument has high backpressure, responsive to tongue movements and fun-to-play - if you have enough lung capacity. If not, it will train you to be stronger! I recommend this excellent instrument for those, who are following the yiḏaki playing styles.

    Key: F# Length: 135cm Mouthpiece internal diameter: 3cm Available from Yirrkala, NT Australia with worldwide shipping For details and specifications see 'Additional information' tab below. Listen to this yiḏaki here:
  • A unique opportunity for those, who are looking for a high-pitched super-fast yiḏaki. Since the backpressure is high, I do recommend this instrument for experienced players. A light stick with thin walls, the internal aperture is open and tapered; the dup's are easy to hit - but then again, you need experience to reach the full potential of this great instrument. Here is another beautiful artwork from one of the best yiḏaki makers of our time.

    Key: G/F# Lenght: 133cm Mouthpiece internal diameter: 3.3cm Available from Yirrkala, NT Australia with worldwide shipping For details and specifications see 'Additional information' tab below. Listen to this yiḏaki here:
  • Even though I have not appreciated high-pitched instruments lately, I need to admit instruments created by Ŋoŋu during the past few months changed my appetite for these instruments - and this one is one of the highlights. A beautiful stick with stunning painting, rich, full-bodied sound and superb playing characteristics: high backpressure, highly-responsive and fun-to play. One of those instruments that is truly hard to sell. Congratulations for the future owner in-advance.

    Key: G Length: 135cm Mouthpiece internal diameter: 3cm Available from Yirrkala, NT Australia with worldwide shipping For details and specifications see 'Additional information' tab below. Listen to this yiḏaki here:
  • Top-quality yiḏaki recommended for serious players and collectors. If you are familiar with traditional instruments, we do not need to introduce Ŋoŋu, one of the most productive yiḏaki makers of our time. As  you can see, it is a high-pitched yiḏaki with high backpressure and due to its tapered trumpet-like shape, its sound is highly-resonant and powerful. The transition between the drone and the toot is easy (both in the same key!), the instrument is super responsive for tongue and lip movements. This yiḏaki gets high scores from us!

    Key: G Length: 135.5cm Mouthpiece internal diameter: 3cm Available from Yirrkala, NT Australia with worldwide shipping For details and specifications see 'Additional information' tab below. Listen to this yiḏaki here:
  • A nice natural yiḏaki from Yilpara outstation in the Blue Mud Bay. The sound has nice growl and 'busy' or 'dirty' feel to it. The backpressure is quite high and the transition between the drone ant the toot is easy, the dups sound great. I recommend this instrument for players who look for a natural traditional stick on a great price.

    Key: F Length: 133.5cm Mouthpiece internal diameter: 2.5cm Available from Yirrkala, NT Australia with worldwide shipping Listen to this yiḏaki here:
     
  • A good opportunity for collectors to get an old mago-style traditional instrument that we obtained from an art collector in 2010, who purchased it from a local maker in Batchelor community sometimes in the late '80s. Even though it was sitting in a wardrobe for a few decades, the marks on its body suggest it used to be played. Due to the length of the instrument and the natural internal chamber, the backpressure is quite low. The sound is somewhat dry - that is mainly due to the few decades while it was sitting in a wardrobe. Once it is watered through, the depth of the sound opens up and makes it enjoyable to play. A great old-style didgeridoo for those, who are practicing the West Arnhem traditional playing styles.

    Key: B Lenght: 153cm Mouthpiece internal diameter: 3.5cm (waxed) Available from Yirrkala, NT Australia with worldwide shipping For details and specifications see the 'Additional information' tab below. Listen to this mago here:
  • A nice traditional didgeridoo with a warm growling sound, slim body, natural bell and good play-abilities. I recommend this instrument for both traditional and contemporary players.

    Listen to this yiḏaki here:

  • Another great stick from Larry for those, who are looking for an easy to handle instrument and good playing characteristics: the wall of the instrument is quite thin (compared to the solid construction of a usual Gälpu yiḏaki from Birritjimi), the internal chamber is tight, and gradually opens up towards the distal end. The mouthpiece is a little small to me, however it could be changed with a file since there is 'meat' at the top end. The sound is sharp and rich in higher tones, the transition between the drone and the toot is easy, and the backpressure is medium. You can see an 'unusual touch' on the instrument, as 'Buku' written on the top section of the stick, a note that demonstrates this instrument was made for the Buku-Larrŋgay Mulka Art Centre.

    Listen to this yiḏaki here:

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