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See below the selection of didgeridoos made in Northeast and West Arnhem Land

  • A great Dhaḻwaŋu yiḏaki from one of the most productive makers; the backpressure is balanced, therefore the instruments plays effortless with a good power, volume and transition between the drone and the toot. I recommend this yiḏaki for those, who are looking for a traditional instrument with high cultural integrity to practice the traditional playing techniques of East Arnhem.

    Listen to this yiḏaki here:
  • Another top-quality Dhaḻwaŋu yiḏaki from Balku; the backpressure is well balanced, the transition between the drone and the toot is easy, the sound is direct and rish. I recommend this yiḏaki for those, who are looking for a traditional instrument with high cultural integrity to practice the traditional playing techniques of East Arnhem.

    Listen to this yiḏaki here:
  • Bibibak Munuŋgurr is a well known yiḏaki maker nowadays. When I come across with his work, I am always sure, that the good sound quality of his instruments is guaranteed. Bibibak is a ceremonial player, so he exactly knows what the good yiḏaki is. This instrument is a nice bush-yiḏaki with natural bore – that is, in my opinion, ideal – and sharp edges at both ends of the stick. The instrument plays easy, the rich and ‘bassy’ drone comes effortless, the back pressure is medium, the transition between the drone and the toot is easy. It is a really fun-to-play yiḏaki! The painting is not the best quality, the instrument had been repainted, that doesn’t add to its value for many players, that’s why I dropped the price – it shouldn’t confuse you though, the playing qualities comes first!

    Listen to this yiḏaki here: sound sample coming soon....
  • An old-style yiḏaki with slim body, confined chamber and super-nice growl; this instrument has a quite low backpressure, but great playabilities. The sound feels deep and earthy, the toot is easy to play and sound great over the drone. I recommend this instrument for those, who are looking for 'something different'.

    Listen to this yiḏaki here:
  • A very ‘slow-player’ instrument with deep, relaxed sound from Maningrida, North-Central Arnhem Land. The walls are quite thick all the way along the body, that’s why it’s a heavy stick. I had to spend some time to find the sound I was looking for in this instrument, since the play-ability is unbalanced and the backpressure is low. A very slow-moving stick with good bass and overtones after a few minutes of playing. The painting depicts ceremonial body pendants.

    Listen to this mago here:
  • A deep-tuned mago with open chamber and low backpressure recommended for players who are looking for an instrument to play slow, melodic rhythms. The sound is rich in acoustics, that are fired up after a few minutes of playing when the instrument warmed up.

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  • An easy to play yiḏaki from Dhapa, with medium backpressure, tight bore and good transition between the drone and the dups. As you can hear in the sound sample, the sound is down to earth; to be honest, D is not my favourite key, however after a warm up I was very comfortable to spend more time with this stick. I recommend it for both traditional and contemporary players.

    Listen to this mago here:
  • [/fusion_soundcloud]A superb yiḏaki from Dhapa with excellent playing qualities: open bore, medium backpressure, easy to hit toot, super responsive and has powerful, rich sound. I recommend this instrument for players who wish to sharpen their traditional playing style.

    Listen to this yiḏaki here:
  • A simple, easy-to-use stick from Master Dhapa for those players, who are looking for a light-weight instrument. It has an open, spacious chamber, medium backpressure and a slim body. The mouthpiece is comfortable, the bell is well-worked out, the wall is quite thin and resonant. A great choice for both contemporary and traditional players.

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  • Another great yiḏaki from Dhapa: open bore, clean finish, medium backpressure, easy to hit toot, rich sound. I recommend this instrument for traditional players.

    Listen to this yiḏaki here:
  • A powerful instrument from master Dhapa with impressive volume and acoustics. Due to the open bore the air flows through easy and the backpressure is medium. The wall of the instrument is quite thin at the mouthpiece and gradually gets ticker towards the bell. I recommend this excellent yiḏaki for anyone who wants to upgrade their collection.

    Listen to this yiḏaki here:
  • An easy to play yiḏaki from Dhapa, with medium backpressure, tight bore and good transition between the drone and the dups. I recommend it for both traditional and contemporary players

    Listen to this yiḏaki here:
  • Many of our customers are interested in buying a natural instrument from Master Djalu’ – here it is one! The aperture along the top of the instrument is confined, therefore the backpressure is quite high, that can be challenging for many players. I always encourage customers to challenge their skills, and purchase an instrument like this, since it will help to understand the dynamics of a highly-charged yiḏaki – instead of playing fast, try slow rhythms and melodic beats. This instrument is very responsive, the ‘dups’ are easy to hit, the sound has a very high resonance with plenty of overtones. This yiḏaki is a good deal for those, who are looking for something different to update their stock.

    Listen to this yiḏaki here:
  • A solid yiḏaki with tick walls, open bell and superb playing qualities and excellent acoustics. The dups are very easy to hit and sound great, the backpressure is quite high - exactly what you expect from an F# pitched stick. This didgeridoo is suitable for both slow and fast rhythms, although you will need to be prepared to have enough lung capacity to pump adequate air into its chamber. I recommend this instrument for players who wish to improve their traditional playing style.

    Listen to this yiḏaki here:

  • An extremely fast and versatile yiḏaki from Djalu's backyard from Birritjimi. Super responsive: sensitive to cheek, lips and tongue movements, the transition between the drone and the toot/dups is easy and fun to play. The sound is rich in overtones and has a good volume. I recommend this instrument for traditional players who are looking for a simple, easy to handle stick to practice fast rhythms. Collectors might also wish to note that this instrument is made of whoollybutt (Darwin Woollybutt/Eucalyptus miniata), that is an unusual material for yiḏaki.

    Listen to this yiḏaki here:

  • A great yiḏaki with elegant shape and open bell. The internal chamber is quite confined along the top section of the instrument, that give the sound a 'dirty' feel - that I like very much. The backpressure is medium to high, the transition between the toot and drone is easy. Even though the instrument is capable of faster rhythms, the slower, flowing tempo feels more natural on this stick.

    Listen to this yiḏaki here:

  • A very nice traditional instrument with a beautiful shape and clear lines. The open bore provides medium backpressure and spacious acoustics. The drone and toots are easy to play. The size of the mouthpiece might be a too wide for some, but it can be easily reduced with wax. We recommend this instrument for someone who is looking for a special but simple traditional didgeridoo.

    Listen to this yiḏaki here:
  • A great traditional didgeridoo with Waŋurri clan design. The wall of the instrument is solid, therefore it is quite heavy, the shape and the overall finish compliments the skills of the maker. The mouthpiece is well-shaped, back-pressure is high, the sound is powerful, somewhat confined and ‘dirty’, that makes this stick unique. You might find this instrument a little challenging, but we do believe, that it is one of the highlights of this great yiḏaki since it is able to teach you lessons that you can’t get anywhere else.

    Listen to this yiḏaki here: sound sample coming soon...
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    Listen to this yiḏaki here:
  • A simple but great yiḏaki for those, who are practising the traditional playing style of Northeast Arnhem Land. There is a lack of high notes, therefore the sound feels a little bit blunt, however it does change after washing through the instrument – it was a great surprise during the sound recording. This stick is easy to play, the backpressure is medium, and the ‘dups’ are easy to hit. The wall of the instrument is solid, the finish on the outside is nice and smooth, the mouthpiece is convenient. Lovely instrument, do not miss it!

    Listen to this yiḏaki here:
  • An excellent yiḏaki from Marikuku, who is one of the best didgeridoo makers of the Northeast Arnhem Land region. It has a nice, warm growly sound with medium backpressure and great response rate – easy transition between the drone and the toot. I recommend this instrument for traditional players, however it is a great choice for those as well, who  follow contemporary playing styles.

    Listen to this mago here:
  • An excellent yiḏaki from Marikuku, painted with natural pigments. The backpressure is medium, therefore the instrument is easy to play; the dups sound really great and compliment the rich acoustics of the instrument. I recommend this instrument for both art collectors and yiḏaki players who look for instruments with high cultural integrity.

    Listen to this yiḏaki here:
  • We have seen a few great yiḏaki from Marikuku, this is another one that we can offer on a good price. The instrument looks very simple, that should not confuse an expert eye. An easy-to-play didgeridoo, the sound is warm and has a good bass with medium back pressure. We recommend this didgeridoo for those, who do not wish to follow a traditional style – if you are a ‘trad-head’, consider this stick, you will be surprised!

    Listen to this yiḏaki here:
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  • This instrument might be a challenging one for many players due to its extremely high backpressure. Although yiḏaki with high pressure is not popular amongst the (non-Indigenous) players, I often recommend these instruments to challenge skills and muscles. It also helps you to understand the dynamics of the didgeridoo in general. So if you do not have one, here is one for you from a master maker on a good price!

    Listen to this yiḏaki here:
  • Another great work from Ŋoŋu with balanced sound and backpressure, medium volume and good quality craftsmanship. I recommend this instrument for those, who are following the traditional playing techniques of the Northeast Arnhem Land region.

    Listen to this mago here:
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    Listen to this yiḏaki here:
  • An easy player instrument with open bore, medium backpressure and rich drone. The transition between the drone and the toot is easy, and the size and shape of the mouthpiece make the dups very easy to hit. A top-quality, 100% natural yiḏaki for trad-heads.

    Listen to this yiḏaki here:
  • A classic stick from Ŋoŋu: well balanced instrument with confined chamber, medium to high backpressure and top-quality craftsmanship. The mouthpiece is comfortable, the toot is easy to hit and sound great. I recommend this instrument for players who are following traditional playing styles.

    Listen to this yiḏaki here:
  • A solid yiḏaki from Ŋoṉu with thick walls and great acoustics. The mouthpiece is comfortable, the bell is well worked-out, the backpressure is medium and lets you to roll rhythms effortless. The dups are easy to hit and sound great above the drone. The sound is rich and has lots of depth to it, especially when the instrument is warmed up. I recommend this instrument for those traditional and contemporary players who are looking for a great traditional didgeridoo.

    Listen to this yiḏaki here:
  • Wapurrpurr is delivering top-quality yiḏaki for some time, his works are highlights of our stock updates recently - this instrument is another example of that. Open bore, warm, full-bodied sound with rich acoustics and medium backpressure. You can find a patch on the neck of the instrument that is a type of repair often used by the maker. We recommend this instrument for players and collectors who want to buy a good quality instrument from a popular maker.

    Listen to this yiḏaki here:
  • Another great instrument by Wapurrpurr warm sound with rich acoustics and easy playability. The open bore gives a bigger than usual mouthpiece (4cm), so I had to use wax to reduce the size to be able to play it comfortably. The walls are quite thin, therefore it is a lightweight and highly resonant instrument. A great pick for someone who is looking for an 'unusual' yiḏaki.

    Listen to this yiḏaki here:
  • A simple but great yiḏaki from Larry with a funky shape and a nice, good looking bell. The drone is sharp, and the medium backpressure makes this instrument easy to play either you want to play slow or fast. The toot is easy to hit, this natural stick is a good choice for anyone who want to sharpen traditional playing skills.

    Listen to this yiḏaki here:
  • A great instrument from Larry with superb playing qualities: easy to hit toots, medium backpressure and rich sound. A great catch if you are looking for an instrument from Larry!

    Listen to this yiḏaki here:
  • It is unusual to find a yiḏaki that is made in Birritjimi – at Djalu’s workshop – with thin walls and highly resonant body; sticks made by either Larry or Djalu have thick, solid walls and powerful, ‘boomy’ sound. This instrument is different – and that is why I wanted to have it in the stock! The narrow neck opens up to an open aperture, the backpressure is medium to low that makes me to feel that this is a slow-player instrument – even though I find it easy to speed up the rhythm. What I enjoy in this yiḏaki is the warm, resonant sound that flows the sound, and drifts you away. Contemporary players would find much joy in this excellent instrument as well as trad-fans.

    Listen to this yiḏaki here:

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