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See below the selection of didgeridoos made in Northeast and West Arnhem Land

  • Bibibak Munuŋgurr is a well known yiḏaki maker nowadays. When I come across with his work, I am always sure, that the good sound quality of his instruments is guaranteed. Bibibak is a ceremonial player, so he exactly knows what the good yiḏaki is. This instrument is a nice bush-yiḏaki with natural bore – that is, in my opinion, ideal – and sharp edges at both ends of the stick. The instrument plays easy, the rich and ‘bassy’ drone comes effortless, the back pressure is medium, the transition between the drone and the toot is easy. It is a really fun-to-play yiḏaki! The painting is not the best quality, the instrument had been repainted, that doesn’t add to its value for many players, that’s why I dropped the price – it shouldn’t confuse you though, the playing qualities comes first!

    Listen to this yiḏaki here: sound sample coming soon....
  • A classic instrument from one of our long-term favourite yiḏaki makers, with 'dirty' sound, balanced medium backpressure, and easy transition between the drone and toot. I recommend this instrument for both traditional and contemporary players.

    Listen to this yiḏaki here:
  • An old-style yiḏaki with slim body, confined chamber and super-nice growl; this instrument has a quite low backpressure, but great playabilities. The sound feels deep and earthy, the toot is easy to play and sound great over the drone. I recommend this instrument for those, who are looking for 'something different'.

    Listen to this yiḏaki here:
  • A top-player instrument for those who wish to practice the kunborrk style of Central and West Arnhem Land. This instrument has a characteristic sound and resonance with medium backpressure, plenty of acoustics and solid, but resonant body. I highly recommend this excellent mago for traditional players, who want to sharpen their skills on West Arnhem style.

    Listen to this mago here:
  • An easy to play yiḏaki from Dhapa, with medium backpressure, tight bore and good transition between the drone and the dups. As you can hear in the sound sample, the sound is down to earth; to be honest, D is not my favourite key, however after a warm up I was very comfortable to spend more time with this stick. I recommend it for both traditional and contemporary players.

    Listen to this mago here:
  • A simple but superb instrument from Dhapa: lightweight body with thin and resonant walls, open bore, great craftsmanship with high-end finish, rich acoustics with medium pressure and great playability...what else can we say?! Great value for money, do not miss it!

    Listen to this yiḏaki here:
  • A solid yiḏaki with good balance in the backpressure and sound. The instrument is surprisingly responsive for tongue movements that makes this yiḏaki excellent to practice traditional rhythms. The wall is quite thin along the top section of the instrument, and gradually gets thicker as the chamber opens up towards the distal end; this structure works very well since this stick creates mind-blowing resonances.

    Listen to this yiḏaki here:

  • If you are looking for a great yiḏaki from a master maker on a reasonable price, go no further! A responsive instrument with medium backpressure, settled drone and plenty of overtones in its sound. The instrument is responsive for tongue and lip movements therefore it can be played either slow and fast. The craftsmanship - as usual from Dhapa - is superb.

    Listen to this yiḏaki here:
  • An easy to play yiḏaki from Dhapa, with medium backpressure, tight bore and good transition between the drone and the dups. I recommend it for both traditional and contemporary players

    Listen to this yiḏaki here:
  • A simple but great, lightweight yiḏaki from master Dhapa. The internal chamber is open all the way through the instrument, the backpressure is medium and the toots are easy to hit. The sound has plenty of overtones, especially after the instrument warmed up. I recommend this stick for both traditional and contemporary players.

    For details and specifications see the 'Additional information' tab below.

    Listen to this yiḏaki here:

  • A top-quality traditional instrument from a master maker. Due to the size of the instrument, the thin walls, the spacious internal chamber and bell, this yiḏaki has superb sound and playing characteristics. The medium backpressure is balanced, the transition between the drone and the toot is easy and effortless, the sound is rich in acoustics and has quite high volume and warm resonance. I recommend this instrument for traditional players.

    Key: E/F Lenght: 165cm Mouthpiece internal diameter: 3.5cm Available from Yirrkala, NT Australia with worldwide shipping For details and specifications see 'Additional information' tab below.

    Listen to this yiḏaki here:

  • A nice yiḏaki for those players, who are looking for a great instrument to practice traditional rhythms. First, the sound is lacking the higher, sharper tones that does cease after the instrument warms up - although I have enjoyed the dry sound very much. The backpressure is medium, the transition between the drone and the toots is easy. The craftsmanship as we got used from Dhapa: look at the photos of the mouth, very well done!

    For details and specifications see the 'Additional information' tab below.

    Listen to this yiḏaki here:

  • A nice traditional didgeridoo with a warm growling sound, slim body, thin walls and good play-abilities. I recommend this instrument for both traditional and contemporary players.

    For details and specifications see the 'Additional information' tab below.

    Listen to this yiḏaki here:

  • A classic 'rocket' yiḏaki from Dhapa for those, who are practicing the traditional playing styles from Northeast Arnhem Land: easy to play didgeridoo, responsive to tongue, lip and muscle movements, or pressure changes. The wall is thin, the finish on the mouthpiece, bell and outside is smooth - as you have already got used to by Dhapa. What else can I say? Probably nothing...

    Key: Eb/F# Lenght: 143.5cm Mouthpiece internal diameter: 3cm Available from Yirrkala, NT Australia with worldwide shipping For details and specifications see the 'Additional information' tab below.

    Listen to this yiḏaki here:

  • I classic 'rocket' Northeast Arnhem Land-style didgeridoo for those, who are looking for a highly-charged yiḏaki with a big bell and volume. Even though the backpressure is quite high, due to the open bore the airflow is not restricted, therefore the instrument is easy to play. The transition between the drone ant the toot is easy and sound great when you hit the 'dups'. An amazing catch for yiḏaki-fans.

    Key: G#/F# Lenght: 137cm Mouthpiece internal diameter: 3cm Available from Yirrkala, NT Australia with worldwide shipping For details and specifications see the 'Additional information' tab below.

    Listen to this yiḏaki here:

  • Many of our customers are interested in buying a natural instrument from Master Djalu’ – here it is one! The aperture along the top of the instrument is confined, therefore the backpressure is quite high, that can be challenging for many players. I always encourage customers to challenge their skills, and purchase an instrument like this, since it will help to understand the dynamics of a highly-charged yiḏaki – instead of playing fast, try slow rhythms and melodic beats. This instrument is very responsive, the ‘dups’ are easy to hit, the sound has a very high resonance with plenty of overtones. This yiḏaki is a good deal for those, who are looking for something different to update their stock.

    Listen to this yiḏaki here:
  • Here is another big gun made by Djalu', it is coming available from our reserves. A long stick with thunderous, powerful and warm sound, easy transition between the drone and the toot, and great playing characteristics. As you can see on the photos, this instrument has an elegant body with tapered bell, a classic yiḏaki shape for your visual pleasures. Highly recommended for traditional players and collectors, make sure you don't miss it!

    Key: E/D Lenght: 176.5cm Mouthpiece internal diameter: 2.7-3cm Available from Yirrkala, NT Australia with worldwide shipping For details and specifications see the 'Additional information' tab below.

    Listen to this yiḏaki here:

  • A high-pitched yiḏaki from Djalu; the body of the instrument is quite short compared to the larger sticks favoured by Old Man. The backpressure is in the higher range, well balanced and urges the player to play fast rhythms. The instrument is responsive to tongue and lip movements, and the transition to the 'dups' is easy. A great catch to practice traditional style!

    Key: F#/G# Lenght: 142cm Mouthpiece internal diameter: 2.7cm Available from Yirrkala, NT Australia with worldwide shipping For details and specifications see the 'Additional information' tab below.

    Listen to this yiḏaki here:

  • A very nice traditional instrument with a beautiful shape and clear lines. The open bore provides medium backpressure and spacious acoustics. The drone and toots are easy to play. The size of the mouthpiece might be a too wide for some, but it can be easily reduced with wax. We recommend this instrument for someone who is looking for a special but simple traditional didgeridoo.

    Listen to this yiḏaki here:
  • A great yiḏaki with excellent playability and superb craftsmanship. The sound is in the mid-range, warm and has a lots of depth to it. The wall is thin (look at the mouthpiece) and resonate well.

    Gapanbulu is one of the players of the renowned Yothu Yindi band, he is a master-maker of our time with good understanding of the traditional context of the didgeridoo of Northeast Arnhem Land.

    I highly recommend this yiḏaki for those, who are looking for a great yiḏaki to start to practice traditional playing styles.

    Listen to this yiḏaki here:

  • A great traditional didgeridoo with Waŋurri clan design. The wall of the instrument is solid, therefore it is quite heavy, the shape and the overall finish compliments the skills of the maker. The mouthpiece is well-shaped, back-pressure is high, the sound is powerful, somewhat confined and ‘dirty’, that makes this stick unique. You might find this instrument a little challenging, but we do believe, that it is one of the highlights of this great yiḏaki since it is able to teach you lessons that you can’t get anywhere else.

    Listen to this yiḏaki here: sound sample coming soon...

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